Jacopo Chimenti

(30 April 1551 - 30 September 1640) was an Italian late-mannerist painter. Born in Florence as Jacopo Chimenti (Empoli being the birth place of his father), he worked mostly in his native city. He apprenticed under Maso da San Friano. Like his contemporary in Counter-Maniera (Counter-Mannerism), Santi di Tito, he moved into a style often more crisp, less contorted, and less crowded than mannerist predecessors like Vasari. He collaborated with Alessandro Tiarini in some projects. Among his pupils were Felice Ficherelli, Giovanni Battista Brazze (Il Bigio), Giovanni Battista Vanni, and Virgilio Zaballi. In later years, the naturalism becomes less evident. The porcelain features of his figures accentuated the academic classical trends that restrained Florentine painting during the Baroque period.
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Jacopo Chimenti Still-Life oil painting


Still-Life
Gemälde ID::  74538
Siehe Galerie in Schweden
Still-Life
17th century Oil on canvas cjr
17th_century _ Oil_on_canvas _ cjr
   
   
     

Jacopo Chimenti Still-Life oil painting


Still-Life
Gemälde ID::  76081
Siehe Galerie in Schweden
Still-Life
Date 17th century Medium Oil on canvas cyf
Date_17th_century _ Medium_Oil_on_canvas _ cyf
   
   
     

  1
Vorheriger Künstler       Nächster Künstler     

     Jacopo Chimenti
     (30 April 1551 - 30 September 1640) was an Italian late-mannerist painter. Born in Florence as Jacopo Chimenti (Empoli being the birth place of his father), he worked mostly in his native city. He apprenticed under Maso da San Friano. Like his contemporary in Counter-Maniera (Counter-Mannerism), Santi di Tito, he moved into a style often more crisp, less contorted, and less crowded than mannerist predecessors like Vasari. He collaborated with Alessandro Tiarini in some projects. Among his pupils were Felice Ficherelli, Giovanni Battista Brazze (Il Bigio), Giovanni Battista Vanni, and Virgilio Zaballi. In later years, the naturalism becomes less evident. The porcelain features of his figures accentuated the academic classical trends that restrained Florentine painting during the Baroque period.

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